Sean Rooks, who played from 1989 to 1992 at Arizona, was an All-Pacific 10 Conference performer and honorable mention All-American in 1992 and is now coaching a free agent team at the Long Beach Summer Pro League.
Rooks played 13 seasons in the NBA, including stints with the Los Angeles Lakers and Clippers. He said if his schedule allows it he wants to make a trip to Tucson this weekend after receiving a call from Tucson Summer Pro League director and former Wildcat forward Corey Williams to play in the TSPL All-Star game on Sunday.
Daily Wildcat: Is this a steppingstone for you to become an NBA coach or assistant?
Sean Rooks: Once I get involved it's more about the kids, and that's what I wanna do. I feel that (with) every opportunity I get to work with kids and improve my skills in dealing with them. It definitely can help me because (coaching) is what I wanna get into.
DW: Have you received any coaching offers?
Rooks: I talked to a lot of people, but it's a fraternity and people are rotating all the time. There's a lot of times when you'll talk to people (about getting a coaching job) and they'll be like, 'Oh, that's nice.' It's like anything else, like your first time playing ball, back to that first time when you were a free agent.
I just have to keep pushing and keep improving myself. If someone does give me an opportunity - instead of me stepping into a lot of things - I don't know, I've been working with a lot of people. I have a great understanding and now I look more attractive as far as giving a coach a chance$#133;I think I'll be good at it, and I'm gonna pay my dues.
DW: What about coaching got you interested?
Rooks: I've always been the type of dude who understood the guys' frustrations. I've always been a guy who could understand like a point guard. You look at guys like (Dallas Mavericks and ex-Arizona guard) Jason Terry, (Phoenix Suns guard) Steve Nash, they all play off of instincts, and they already know the game. There's guys that don't know the game, and there's guys that do.
I know the game
when you have so many coaches and played on so many different teams, I've picked up a lot of knowledge, (but) under (Arizona) coach Olson, that's the foundation. I give him more credit than anybody, so just coming out of his program, being with all kinds of coaches and having the passion, I just think I have the talent to relate to players.
DW: What is it about Lute Olson that he's developed so many NBA players?
Rooks: He's a Hall-of-Famer. He's taken his knowledge and his structure that he's been consistent with. It's almost like being involved in a camp or being involved in an establishment. Once he has everything implemented, you filter through it differently. My story is different from (former Arizona forward) Sean Elliott's. I don't even know if I was Lute's favorite when I was there because I would always find my way to the bench. I was all-Fiesta Bowl (Classic) every year that I was there, and I played but I didn't start
My experiences with Lute (helped).
When I first came in the league, I had to produce points in a short period of time. I got used to it at Arizona. We had so many good big guys
(former Arizona forwards) Brian Williams (and) Anthony Cook, who a lot of people don't know about, but he was the leading shot blocker in the Pac-10, and he was good, (former Arizona forward) Tom Tolbert. We had so many big guys that played.
DW: Does Lute not get enough recognition for developing big guys?
Rooks: There's a lack of big guys, period. There's no big guys out here. (Former Arizona center) Channing (Frye) was even a different build than me and Tom Tolbert. He's a new millennium big guy, 7-foot-1, 120. (He's joking here.) Me and Tom, we're like the bug guys who put their bodies on you. What's good about how Lute does it, he lets us play different positions. For example, Tom could shoot, I could shoot. Tom could pass, I could pass
times are different now, and he's making the adjustments. He picks up a perimeter big guy (senior forward Ivan Radenovic) and turns him into a low-post guy.
Also what makes him good is he has good assistants. Lute wasn't always hands-on what I mean by that is Lute can't be everywhere, but the program is still the program. If Lute never even showed up, you knew what you had to do, schoolwise, academically, the way you conducted yourself. If you (messed up) you didn't wanna go see Lute. We all (got in trouble at some point), and we had to look in the mirror.